Daughtry
Daughtry
Release Date: 2006
Record Label: RCA
Genre: Alternative Rock
Distribution : 소니비엠지뮤직주식회사
수입음반
수입국 : USA

01 ) It's Not Over
02 ) Used To
03 ) Home
04 ) Over You
05 ) Crashed
06 ) Feels Like Tonight
07 ) What I Want (featuring Slash)
08 ) Breakdown
09 ) Gone
10 ) There And Back Again
11 ) All These Lives
12 ) What About Now

Daughtry의 목소리에 너무나 잘 어울리는 노래.
몇 일동안 이 노래만 들어버렸다. Used To도 꽤 좋지만
이 앨범 최고의 곡은 단연 Over You 라고 생각한다.


Lyrics :

Now that it's all said and done,
I can't believe you were the one
To build me up and tear me down,
Like an old abandoned house.
What you said when you left
Just left me cold and out of breath.
I fell too far, was in way too deep.
Guess I let you get the best of me.

Well, I never saw it coming.
I should've started running
A long, long time ago.
And I never thought I'd doubt you,
I'm better off without you
More than you, more than you know.
I'm slowly getting closure.
I guess it's really over.
I'm finally getting better.
And now I'm picking up the pieces.
I'm spending all of these years
Putting my heart back together.
'Cause the day I thought I'd never get through,
I got over you.

You took a hammer to these walls,
Dragged the memories down the hall,
Packed your bags and walked away.
There was nothing I could say.
And when you slammed the front door shut,
A lot of others opened up,
So did my eyes so I could see
That you never were the best for me.

Well, I never saw it coming.
I should've started running
A long, long time ago.
And I never thought I'd doubt you,
I'm better off without you
More than you, more than you know.
I'm slowly getting closure.
I guess it's really over.
I'm finally getting better.
And now I'm picking up the pieces.
I'm spending all of these years
Putting my heart back together.
'Cause the day I thought I'd never get through,
I got over you.

Well, I never saw it coming.
I should've started running
A long, long time ago.
And I never thought I'd doubt you,
I'm better off without you
More than you, more than you know.

Well, I never saw it coming.
I should've started running
A long, long time ago.
And I never thought I'd doubt you,
I'm better off without you
More than you, more than you know.
I'm slowly getting closure.
I guess it's really over.
I'm finally getting better.
And now I'm picking up the pieces.
I'm spending all of these years
Putting my heart back together.
Well I'm putting my heart back together,
'Cause I got over you.
Well I got over you.
I got over you.
'Cause the day I thought I'd never get through,
I got over you.
Posted by Joe.C

Daughtry
Daughtry
Release Date: 2006
Record Label: RCA
Genre: Alternative Rock
Distribution : 소니비엠지뮤직주식회사
수입음반
수입국 : USA

01 ) It's Not Over
02 ) Used To
03 ) Home
04 ) Over You
05 ) Crashed
06 ) Feels Like Tonight
07 ) What I Want (featuring Slash)
08 ) Breakdown
09 ) Gone
10 ) There And Back Again
11 ) All These Lives
12 ) What About Now

음악은 음악으로만 듣자.
무슨 과거를 가진 가수가 불렀건.. 누구의 영향을 받았건... 상업적 색깔을 얼마나 가졌건....
Nickelback과 비교도 하지말고... 그냥... It's not ooover~~~


Lyrics :
It's Not Over

I was blown away
What could I say
It all seemed to make sense.
You've taken away everything
And I can't deal with that.

I try to see the good in life.
But good things in life are hard to find.
I'll blow it away, blow it away
Can we make this something good?

(Well I'll try to do to it right this time around)
Let's start over,
Try to do it right this time around
It's not over
Cause a part of me is dead and in the ground.
This love is killin me
But you're the only one
It's not over.

I've taken all I can take
And I cannot wait
We're wasting too much time
Being strong and holding on
Can't let it bring us down

My life with you means everything
So I won't give up that easily
I'll blow it away, blow it away
Can we make this something good?
Cause it's all misunderstood

(Well I'll try to do to it right this time around)
Let's start over,
Try to do it right this time around
It's not over
Cause a part of me is dead and in the ground.
This love is killin me
But you're the only one
It's not over.

We can't let this get away
Let it out, let it out
Don't get caught up in yourself
Let it out.

Let's start over
Well try to do to it right this time around
Its not over
Cause a part of me is dead and in the ground.
This love is killin me
But you're the only one
It's not over.

Lets start over
Its not over
This love is killin me
But you're the only one
It's not over


[아메리칸 아이들]의 다섯 번째 시즌에서 4위로 안타깝게 무대를 떠나야 했던 크리스 도트리가 주축이 된 5인조 록 밴드 도트리는 시즌 내내 최고의 인기를 자랑하던 그의 대중 친화적인 매력에 부합하듯 2월 3일자 [빌보드] 앨범 차트에서 당당히 정상을 차지함으로써 각각 1,2위를 차지한 테일러 힉스, 캐서린 맥피를 뛰어넘는 인기를 과시하고 있다. 싱글 차트에서 4위까지 오르며 단연 라디오 친화적인 면을 과시했던 첫 싱글 ‘It’s Not Over’는 익숙하고 보편적인 즐거움을 선사하는 반면, 슬래시가 기타 연주를 들려주는 ‘What I Want’는 ‘80년대를 떠올리게 하는 와일드한 매력을 자랑한다. 그 외의 앨범 수록 곡들 역시 다소 엇비슷하게 들리긴 하지만, 앨범은 전체적으로 팝 팬들과 록 팬들을 고루 만족시킬 수 있는 수준이다. 물론 채드 크루거(니클백)의 그림자를 빨리 걷어버리는 것이 크리스 도트리에게는 시급한 일일 테지만.

52street 2007년 03월  장민경  

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Posted by Joe.C

All-American Rejects
Move Along
Release Date: 2005/7/12
Record Label: Interscope
Genre: Alternative Rock
Distribution : (주)유니버셜뮤직
수입음반

01 ) Dirty Little Secret
02 ) Stab My Back
03 ) Move Along
04 ) It Ends Tonight
05 ) Change Your Mind
06 ) Night Drive
07 ) 11:11 PM
08 ) Dance Inside
09 ) Top Of The World
10 ) Straitjacket Feeling
11 ) I'm Waiting
12 ) Can't Take It

작년 꽤 많은 인기를 얻었던 Move Along 보다 이 곡이 더 나은 듯....
이 달의 내가 흥얼거리는 곡 Top 3 ...
When Darkness turns to light, It ends tonight~ It ends tonight~~


2003년 앨범 All American Rejects 로 혜성과 같이 데뷔. 깔끔하고 상쾌한 사운드로 단숨에 주류에 진입한 AAR 의 두 번째 앨범. 발매 첫 주[2005-7] 빌보드 앨범 챠트 6위를 기록하며 순항 질주하고 있다. 프로듀스에는 My Chemical Romance, Hoobastank 등을 조율했던 관록있는 하워드 벤슨[Howard Benson]이 참가하여 한층 더 기대가 크다.                                                         (출처 : oi music)

Lyrics :
Your subtleties They strangle me I can’t explain myself at all.
And all that wants And all that needs All I don’t want to need at all.

The walls start breathing My minds unweaving
Maybe it’s best you leave me alone.
A weight is lifted On this evening I give the final blow.

When darkness turns to light, It ends tonight It ends tonight.
A falling star Least I fall alone. I can’t explain what you can’t explain.
Your finding things that you didn’t know I look at you with such disdain
The walls start breathing My minds unweaving Maybe it’s best you leave me alone.
A weight is lifted On this evening I give the final blow.

[Chorus]When darkness turns to light It ends tonight, It ends tonight.
Just a little insight will make this right It’s too late to fight
It ends tonight,It ends tonight.

Now I’m on my own side It’s better than being on your side
It’s my fault when your blind It’s better that I see it through your eyes
All these thoughts locked inside Now you’re the first to know

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Posted by Joe.C


Artist:  Hinder  
Album:  Extreme Behavior  
Genre:  Alternative  
Style:  Alternative Metal, Hardcore  
Year:  2005

01  Get Stoned
02  How Long
03  By the Way
04  Nothin' Good About Goodbye
05  Bliss (I Don't Wanna Know)
06  Better Than Me
07  Room 21
08  Lips of an Angel
09  Homecoming Queen
10  Shoulda


Hinder's Website : http://www.hinderonline.com/

Lyrics :
Honey why are you calling me so late
It's kinda hard to talk right now
Honey why are you crying is everything okay
I gotta whisper cause I can't be too loud
Well, my girls in the next room
Sometimes I wish she was you
I guess we never really moved on
It's really good to hear your voice saying my name
It sounds so sweet
Coming from the lips of an angel
Hearing those words it makes me weak
And I never wanna say goodbye
But girl you make it hard to be faithful
With the lips of an angel

It's funny that you're calling me tonight
And yes I've dreamt of you too
And does he know you're talking to me
Will it start a fight
No I don't think she has a clue
Well my girls in the next room
Sometimes I wish she was you
I guess we never really moved on
It's really good to hear your voice saying my name
It sounds so sweet
Coming from the lips of an angel
Hearing those wordsa it makes me weak
And I never wanna say goodbye
But girl you make it hard to be faithful
With the lips of an angel

It's really good to hear your voice saying my name
It sounds so sweet
Coming from the lips of an angel
Hearing those words it makes me weak
And I never wanna say goodbye
But girl you make it hard to be faithful
With the lips of an angel
(And I never wanna say goodbye)
But girl you make it so hard to be faithful
With the lips of an angel
Honey why are you calling me so late

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Posted by Joe.C

Artist:  Blue October  
Album:  Foiled  
Genre:  Alternative
Style:  Adult Alternative Pop/Rock,
Alternative Pop/Rock
Year:  2006

1. You Make Me Smile
2. She's My Ride Home
3. Into The Ocean
4. What If We Could
5. Hate Me
6. Let It Go
7. Congratulations
8. Overweight
9. X-Amount Of Words
10. Drilled A Wire Through My Check
11. Sound Of Pulling Heaven Down
12. Everlasting Friend
13. 18th Floor Balcony

Lyrics:
I have to block out thoughts of you so I don’t lose my head
They crawl in like a cockroach leaving babies in my bed
Dropping little reels of tape to remind me that I’m alone
Playing movies in my head that make a porno feel like home
There's a burning in my pride, a nervous bleeding in my brain
An ounce of peace is all I want for you. Will you never call
again?
And will you never say that you love me just to put it in my
face?
And will you never try to reach me?
It is I that wanted space

  • Hate me today
    Hate me tomorrow
    Hate me so you can finally see what’s good for you

    I’m sober now for 3 whole months it’s one accomplishment that
    you helped me with
    The one thing that always tore us apart is the one thing I won’t
    touch again
    In a sick way I want to thank you for holding my head up late at
    night
    While I was busy waging wars on myself, you were trying to stop
    the fight
    You never doubted my warped opinions on things like suicidal
    hate
    You made me compliment myself when it was way too hard to
    take
    So I’ll drive so fucking far away that I never cross your
    mind
    And do whatever it takes in your heart to leave me behind

    Hate me today
    Hate me tomorrow
    Hate me for all the things I didn’t do for you

    Hate me in ways
    Yeah ways hard to swallow
    Hate me so you can finally see what’s good for you

    And with a sad heart I say bye to you and wave
    Kicking shadows on the street for every mistake that I had
    made
    And like a baby boy I never was a man
    Until I saw your blue eyes crying and I held your face in my
    hand
    And then I fell down yelling “make it go away!”
    Just make a smile come back and shine just like it used to be
    And then she whispered “How can you do this to me?”

    Hate me today
    Hate me tomorrow
    Hate me for all the things I didn’t do for you

    Hate me in ways
    Yeah ways hard to swallow
    Hate me so you can finally see what’s good for you


    Biography from 'www.blueoctoberfan.com'

    Justin Furstenfeld: lead vocals/guitar
    CB Hudson: guitars/vocals
    Ryan Delahoussaye: violin/mandolin/piano/vocals
    Matt Noveskey: bass/vocals
    Jeremy Furstenfeld: drums/vocals

    “Hate me today/Hate me tomorrow/Hate me for all the things/I didn’t do for you” “Hate Me” (Foiled)

    Blue October isn’t just your average, everyday rock band from Texas. The group was formed in Houston in the late ‘90s by lead singer/songwriter/guitarist Justin Furstenfeld, his brother, drummer Jeremy, multi-instrumentalist Ryan Delahoussaye, later joined by guitarist/vocalist CB Hudson and bassist Matt Noveskey. The group’s epic live shows and exploration of subjects like mental depression, drug use, love, betrayal, forgiveness and cathartic transcendence have helped them amass a strong, loyal following through five albums, three of which have been released by Universal Records.

    Blue October released their first album, The Answers, in 1998. The group was signed to Universal for their August 2000 major label debut, Consent to Treatment, but with Rock radio non-responsive, they were soon dropped. The band then signed with Brando Records and released History for Sale in July 2003. When “Calling You,” which was also included on the American Wedding soundtrack, began picking up airplay in Dallas and other Texas cities, Universal offered to re-sign the group. After considering several other major label offers, Blue October decided to return to the very label that dropped them.

    “We’re not an easy band to understand,” says Justin about the decision to return to their major label home. “I just felt at Universal, we had a team of people who understood us, and who loved us for all the right reasons. I wasn’t about to walk through life with people who didn’t really know me.”

    That Blue October hasn’t followed the ordinary path to success is clear from the first single from Foiled, “Hate Me,” a song that recalls such aching rock anthems as Joy Division’s “Love Will Tear Us Apart” or Jane’s Addiction’s “Jane Says” for songwriter Justin Furstenfeld’s unflinching look at himself. It’s a song portraying a man’s selfishness in a relationship, then coming to terms with it, and admitting the mistakes.

    “I have to block out thoughts of you/So I don’t lose my head/They crawl in like a cockroach/Leaving babies in my bed,” he sings, the images underlined by the matter-of-fact sing-song way in which they’re delivered. “It’s like, let me just kind of clue you in on what it feels like in my own brain,” he offers.

    That brand of intensity is welded to wide screen sound that evokes an array of eclectic influences such as prog-rockers Peter Gabriel, Pink Floyd, Flaming Lips, U2 and Coldplay, attracting a hardcore following who not only relate, but ardently sing along with the band’s songs.

    “Our fans really make us what we are,” says Justin’s older (by 14 months) brother, drummer Jeremy. “We have a tight bond with them. Many have become our friends through the years. To see them sing these songs right back at us as we play them is amazing. It blows me away every time.”

    “Into the Ocean,” with Delahoussaye’s seductive violin siren call and plucked mandolin, openly contemplates a death wish with so much honesty, fans write to the band, claiming tracks like this have prevented their own suicidal impulses.

    “I love Justin’s lyrics,” says guitarist Hudson, whose early influences include such players as Joe Satriani, Steve Vai, Eric Johnson and Stevie Ray Vaughan. “He speaks the truth. It’s all real-life experiences everyone can relate to. Being able to work with someone like that is special. Our music touches people in the heart. I’m really proud of that.”

    “If I have saved others, I don’t know what to say,” admits Justin. “But if I can do that for them, why the fuck can’t I do that for myself?”

    It’s a reasonable question to ask for Furstenfeld, whose first musical memory as a child was hearing fellow Texan Roy Orbison’s plaintive “Crying.” That led to an interest in other melancholy groups like The Smiths, The Cure, Red House Painters and Idaho. Having been in therapy since he was 14, Justin turned to music to get away from his problems. Songs like “What If We Could,” about the longing of a true love that is seemingly doomed by distance and circumstance, or the apocalyptic “Sound of Pulling Heaven Down” and “Let It Go”, with its mournful Neil Young harmonica line halfway through, deal with that self-doubt in no uncertain terms, as Justin asks in the latter: “Why do I feel this way?/Why do I kneel?/How could I let it go?/Why do I feel?”

    “I don’t remember writing these songs,” he says. “They just come out when it’s getting too much for me. It’s like getting closure. Now, I’m not so hurt about that relationship. I’m actually in a better place now. I’m just waiting to write that happy song. I welcome it with open arms.

    After eighteen months of touring on History for Sale, a double-live CD/DVD, Argue with a Tree, which captured the amazingly symbiotic live relationship between the band and its fans, was released in February 2005.

    Without any radio airplay or press, and after being off the road for more than a year, a fall ’05 tour was booked, resulting in sold-out shows in Houston, Austin, Dallas, Fort Worth, San Antonio, Tulsa, Little Rock, Omaha, Chicago, Lawrence/Kansas City and Des Moines, proving the band’s audience was growing even stronger.

    “I really wanted to be part of this,” says bassist Noveskey, a Michigan native who worships at the altar of Motown’s Jamie Jamerson and Sly and the Family Stone’s Larry Graham. He briefly left the band, only to return in time to record the new album. “It was an amazing process. Everything worked out the way it was supposed to.”

    Foiled isn’t just about despair, delusion and dementia. “X Amount of Words” is “Subterranean Homesick Blues” with a lively New Order/Depeche Mode dance beat. On the other hand, “Drill a Wire Through My Cheek” is a harrowing glimpse into Justin’s Dr. Jekyll-Mr. Hyde, a devil on one shoulder, an angel on the other, connected by the titular “wire through my cheek,” which Justin is willing to pull to defeat his dark side.

    “That’s me at home, when nobody’s around,” he says sarcastically.

    There’s an element of light at the end of the tunnel, a hopeful optimism that comes out in the album’s final two songs—the sweet soul of “Everlasting Friend” and the idyllic love of the sweeping “18th Floor Balcony,” for which Hudson wrote the music.

    “That’s the first love song I’ve ever written without doubt,” admits Justin. “At least I know in my head I’m capable of loving. It’s great to know that my heart still works.”

    “This really is our best record yet,” says multi-instrumentalist Delahoussaye, classically trained on piano at the age of four, violin at six and viola at nine. “We’re more accomplished in fine-tuning the way we want things to sound and what our mission is.”

    You can hear Blue October’s collective heart pumping—alternately breaking, healing and breaking again—on Foiled. It is a sound you won’t soon forget.

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    Posted by Joe.C

    Nickelback
    All The Right Reasons [수입]
    Release Date: 2005/10/4
    Record Label: ROADRUNNER RECORD
    Genre: Alternative Rock
    Distribution : 소니비엠지뮤직주식회사
    수입음반
    01 ) Follow You Home
    02 ) Fight For All The Wrong Reasons
    03 ) Photograph
    04 ) Animals
    05 ) Savin’ Me
    06 ) Far Away
    07 ) Next Contestant
    08 ) Side Of A Bullet
    09 ) If Everyone Cared
    10 ) Someone That You're With
    11 ) Rockstar

    공교롭게도 저번에 올렸던 Savin' Me의 다음 Track이다.
    그렇게도 Love Song은 듣기 싫었는데.....
    하하하하........................너무나 흔한 사랑 노래......
    근데 왜 항상 듣게 되는거지?

    참고로 이 글 이후로는 WMP를 넣어서 음악을 PLAY하지 않기로 했다.
    위 목록에 있는 Link를 이용하도록....(Link의 기한은 내 마음이다.)

    Lyrics:
    This time, This place
    Misused, Mistakes
    Too long, Too late
    Who was I to make you wait
    Just one chance
    Just one breath
    Just in case there's just one left
    'Cause you know,
    you know, you know

    [CHORUS]
    That I love you
    I have loved you all along
    And I miss you
    Been far away for far too long
    I keep dreaming you'll be with me
    and you'll never go
    Stop breathing if
    I don't see you anymore

    On my knees, I'll ask
    Last chance for one last dance
    'Cause with you, I'd withstand
    All of hell to hold your hand
    I'd give it all
    I'd give for us
    Give anything but I won't give up
    'Cause you know,
    you know, you know

    [CHORUS]

    So far away
    Been far away for far too long
    So far away
    Been far away for far too long
    But you know, you know, you know

    I wanted
    I wanted you to stay
    'Cause I needed
    I need to hear you say
    That I love you
    I have loved you all along
    And I forgive you
    For being away for far too long
    [2x]
    So keep breathing
    'Cause I'm not leaving you anymore
    Believe and, Hold on to me and, never let me go
    [2x]
    Keep breathing
    Hold on to me and, never let me go
    Posted by Joe.C




    Nickelback
    All The Right Reasons
    Release Date: 2005/10/20
    Record Label: Roadrunner
    Genre: Alternative Rock
    Distribution : 소니비엠지뮤직주식회사

    01 ) Follow You Home
    02 ) Fight For All The Wrong Reasons
    03 ) Photograph
    04 ) Animals
    05 ) Savin’ Me
    06 ) Far Away
    07 ) Next Contestant
    08 ) Side Of A Bullet
    09 ) If Everyone Cared
    10 ) Someone That You're With
    11 ) Rockstar

    지금 알았다.
    내가 Nickelback의 음악은 전혀 올린적이 없다는 사실....
    목소리만으로도 내 귀에서 이어폰이 떨어지지 못하게 하는데....풋...
    How you remind me, Someday... 등등...
    밤이 너무 늦어서 짧게 쓸려고 했는데......아쉬워서 소개까지!!  훗...

    캐나다의 밴쿠버에서 음악 인생의 시작점을 찍은 4인조 록 그룹 니클백은 결성 당시 아주 ‘작은’ 공동체에 불과했다. 채드 크로거(Chad Kroeger, 보컬, 기타)와 마이크 크로거(Mike Kroeger, 베이스) 형제에 라이언 피크(Ryan Peake, 기타, 보컬), 라이언 비케달(Ryan Vikedal, 드럼) 등이 힘을 합쳐 구성한 뒤, 클럽 등지에서 조그마한 공연을 갖곤 했던 미완의 대기였다. 그러나 서는 무대마다 최선을 다해 연주 활동을 이어나갔던 그들에게 ‘크게 될 수 있는’ 기회가 찾아온 건 얼마 지나지 않아서였다.
    무엇보다 다른 이들의 곡을 커버하는 데 지친 리더 채드 크로거가 점차 송라이팅에 매진하기 시작, 그룹 성장을 위한 주춧돌 쌓기에 심혈을 기울였다. 비록 처음에는 난산의 고통이 따랐지만, 곧 그들만의 오리지널 송들을 보유하게 되었고 이를 바탕으로 데뷔 EP [Hesher]과 앨범 [Curb]를 1996년에 내놓았다. 두 음반에 대한 팬들의 괜찮은 피드백 속에 밴드는 전국 순회 공연을 감행하며 내실을 다져나갔다.
    레코드와 공연 활동을 병행하며 캐나다에서 어느 정도 이름을 알린 그들은 1999년 2집 [The State]를 전과 마찬가지로 자비 제작으로 출시, 더 큰 호응을 얻었다. 자연스레 세계적인 록 전문 레이블 [로드러너]로부터 스카우트 제의가 들어왔고, 2000년 미국에서 음반을 다시 발매해 수록 곡인 ‘Breathe’와 ‘Leader Of Men’을 [빌보드] 메인스트림 록 차트 톱 텐에 포진 시켰다. 또한 영화 [블레어 위치 2] 사운드트랙에 수록된 ‘Old Enough’는 밴드의 인지도 향상에 도움을 주었고 이를 계기로 여기저기서 니클백이 크리드의 뒤를 이어 포스트 그런지의 차세대 대권주자가 될 것임을 암시하는 목소리가 들려왔다.

    이를 증명이라도 하듯, 2001년에 나온 [Silver Side Up]은 빅 히트 싱글 ‘How You Remind Me’를 선봉으로 보다 강력해진 사운드를 들려주며 실로 엄청난 팬들의 지지를 확보했다. ‘2002년 라디오 전파를 가장 많이 탄 곡’으로 꼽힌 데서 알 수 있듯, 곡은 [빌보드] 싱글, 모던 록, 메인스트림 록 차트 정상을 모조리 쓸어 담으며 그 엄청난 위세를 과시했다. 바다 건너 국내에까지 그들의 명성이 들리기 시작한 것도 모두 이 곡의 빼어난 선전 덕분이었다.
    그리고 2003년. 통산 4집에 해당하는 [The Long Road]를 발표한 니클백은 전작 못지않은 성적을 일궈내며 변치 않는 팬들의 지지를 확인했다. 무엇보다 [빌보드] 차트 6위라는 음반 순위와 메인스트림 록 차트 2위까지 치솟은 싱글 ‘Someday’의 히트 퍼레이드가 이를 잘 대변해 주었다.
    언급했듯, 니클백의 음악에 새로운 요소는 없다. 오히려 구식이라는 느낌이 강하게 들만큼 예전의 소스들에 전적으로 기대고 있다 말하는 편이 낫다. 물론 최근의 록이 더 이상의 미탐사 지대를 찾지 못한 채 과거의 유산들을 재해석하고 있는 형편이기는 하지만, 그 중에서도 니클백은 그 활용도가 꽤 높은 축에 속한다. 간단하게 말해 1970년대의 클래식 록에 1990년대의 그런지를 합쳐 놓으면 딱 니클백 음악으로 뽑아져 나오는 것이다. 복잡할 것이 전혀 없는 음악이다.
    52street 2005년 12월 배순탁


    Lyrics :
    Nickelback - Savin' Me Lyrics

    Prison gates won't open up for me
    On these hands and knees I'm crawlin'
    Oh, I reach for you
    Well I'm terrified of these four walls
    These iron bars can't hold my soul in
    All I need is you
    Come please I'm callin'
    And oh I scream for you
    Hurry I'm fallin'

    [CHORUS]
    Show me what it's like
    To be the last one standing
    And teach me wrong from right
    And I'll show you what I can be
    Say it for me
    Say it to me
    And I'll leave this life behind me
    Say it if it's worth saving me

    Heaven's gates won't open up for me
    With these broken wings I'm fallin'
    And all I see is you
    These city walls ain't got no love for me
    I'm on the ledge of the eighteenth story
    And oh I scream for you
    Come please I'm callin'
    And all I need from you
    Hurry I'm fallin'

    [CHORUS]

    Hurry I'm fallin'

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    Posted by Joe.C




    01. Let U Go
    02. I'm Better
    03. Soundtrack To Your Life
    04. Feel So Alive
    05. Crazy Beautiful
    06. Who Cares?
    07. Shades Of Blue
    08. Beautiful Lie
    09. Perfect Now
    10. Where Did You Go?
    11. Along The Way
    12. Apology

    5월 첫 주 빌보드 싱글차트 17위를 기록하며 Hot Shot Debut를 기록했다.
    (앨범차트에서도 상당히 상위에 랭크됐던듯...)
    O-Town의 멤버 Ashley Parker Angel가 불렀다.
    아마도 상당히 오래 인기를 끌 것 같은 느낌....

    Let U go.....

    Lyrics :
    Broken promises
    But you don't really mind
    It's not the first time and you know it
    Don't you know
    Tell me why it is you only smile inside
    But when you break me into nothing
    Don't you know
    It's not like I haven't tried over and over again
    Stupid fights, wrong or right
    Goodbye

    [Chorus:]
    I remember when you came with me that night
    We said forever, that you would never let me go
    But here I am again
    With nothing left inside
    Know I don't wanna
    But I gotta let you go

    You're the one mistake I really didn't mind
    So beautiful, unmerciful
    It took me down
    Too little and too late
    See now I know your kind
    You fake it easy just to please me
    Don't you know
    It's not like we haven't tried over and over again
    Sleepless nights, wrong or right
    Goodbye

    [Chorus]

    I gotta let you go
    It's you
    There's nothing I can do

    [Chorus]

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    Posted by Joe.C
    2005.05.20 03:53





    Maroon 5
    Songs About Jane [수입]
    Release Date: 2002/6
    Record Label: Octone
    Genre: Alternative Rock
    Distribution : BMG

    나온지는 좀 시간이 지난 노래지만...
    올려야지....하고 있다 까먹었던 노래......

    maroon5의 adam levine의 목소리엔 정말 묘한 매력이 있다.

    maroon5 소개:

    사실 미국에서 마룬 파이브의 데뷔작 [Songs About Jane]은 2002년 6월에 발표되었다. 시간으로 따지자면 2년 이상이 흐른, 다소는 노작(老作)인 셈이다. 그러나 그들의 이 노작(勞作)은 빌보드 히트시커즈 차트(Heatseekers Chart, '열망하는 자들' 이라는 뜻이 말해주듯, 주로 떠오르는 신인들을 대상으로 선정된다)에 소리소문 없이 등장하더니 이제는 빌보드 앨범 차트와 싱글 차트 모두를 마치 제집 드나들 듯 하며 마음껏 휘젓고 있다.
    특히 국내에서는 그 세 몰이의 강도가 더욱 심해 2003년 9월에 처음 라이선스될 때까지만 해도 별 주목을 받지 못하다가 근래 섬머 시즌이 돌아오면서 싱글 'This Love'에 대한 잠재적 수요가 폭발, 라디오 에어플레이를 거의 독식하다시피 하고 있다. 곡이 들려주는 신나는 펑키 록 무드가 무더운 여름 속 팬들의 갈증과 정확히 맞아떨어졌던 것이다.
    마룬 파이브는 1995년 프런트 맨을 맡고 있는 아담 레바인(Adam Levine, 보컬, 기타)의 주도 하에 키보디스트 제시 카마이클(Jesse Carmichael), 베이시스트 미키 메이든(Mickey Madden), 그리고 드러머 라이언 더시크(Ryan Dusick) 등, 고등학교 동창생들로 결성된 4인조 밴드. 최초 카라스 플라워스(Kara's Flowers)라는 상호(商號) 아래 음악 인생의 출발선을 통과한 그들은 L.A.의 언더그라운드 네트워크에서 어느 정도 탄탄한 지명도를 구축하며 음악적 기반을 쌓아나갔다.
    이후 1997년 [Reprise] 음반 회사와 계약을 체결하고 데뷔 앨범 [The Fourth World]를 소개, 썩 괜찮은 피드백을 이끌어냈다. 듣기 좋은 멜로디와 적당히 거친 록 사운드의 편안한 동거가 1990년대 후반 포스트 얼터너티브 록의 전형적 모델을 보여주며 당시의 트렌드와 맞아떨어졌던 것이다.
    하지만 카라스 플라워스는 1999년 [리프라이즈]와의 관계를 청산하고 기타리스트 제임스 발렌타인(James Valentine)을 영입한 뒤, 그룹 명을 마룬 파이브로 바꾸는 강수를 뒀다. 1집이 비록 소규모의 성공을 거두었으나 이대로 가다가는 여타의 얼터너티브 후발 주자들처럼 대중 음악의 역사 속에 그저 묻혀버릴 수도 있다는 위기감이 작용한 까닭이었다. 무언가 새로운 음악적 피의 수혈이 필요한 시점이었던 것.
    이를 위해 리더인 아담 레바인은 산재한 과제들을 몽땅 뒤로 물린 채 뉴욕으로 날아가 흑인 음악의 세계에 대해 진지하게 연구하기 시작했다. 애덤 레바인은 “우리의 음반 계약 기간 동안 저는 뉴욕에서 많은 시간을 보냈어요. 전 그곳에서 LA에서는 결코 접할 수 없었던 도회풍의 리듬 앤 블루스와 힙 합 문화를 접했죠.”라고 밝히며 “그것은 제가 작곡을 하는 데 진실로 많은 영향을 끼쳤습니다”라고 고백했다. 순혈 백인 록 사운드를 고집하는 카라스 플라워스 아닌 흑백 크로스오버를 지향하는 음악 공동체인 마룬 파이브로서의 거듭남이었다.
    이후 뉴욕에 메인 베이스를 둔 인디 레이블 [Octone]과 계약서를 새로이 작성한 마룬 파이브는 2002년에 데뷔 앨범 [Songs About Jane]를 세상에 공개했다. 건즈 앤 로지스, 스톤 템플 파일러츠, 스매싱 펌킨스 등이 다녀간 것으로 유명한 LA의 [Rumbo Recorders] 스튜디오에서 녹음된 레코드는, 설명했듯 처음에는 별다른 호응을 얻지 못했지만 현재는 넘버원 인기의 성역을 구축 중이다. 특히 국내의 해외 록 부문에서는 에이브릴라빈과수위 자리를 다툴 정도로 팬들의 몰표 세례를 받고 있다.
    싱글 차트 5위까지 치솟았던 'This Love' 외에 현재 차트에서 순항 중인 중간 템포의 예쁜 발라드 'She Will be Loved', 첫 싱글로 대박 예감을 불러왔던 'Harder To Breathe', 영화 [러브 액추얼리]에 삽입되어 연인들의 마음을 공명 시켰던 'Sweetest Goodbye' 등이 펑크(funk)와 소울, 애시드 재즈 등이 블렌딩 된 마룬 파이브의 독특한 록 월드를 대변해준다. 전체적으로 펑키 록의 대명사 레드핫 칠리 페퍼스의 순화 버전이라 보면 거의 맞다.

    oimusic 2004년 08월 배순탁

    lyrics :

    beauty queen of only eighteen
    she had some trouble with herself
    he was always there to help her
    she always belonged to someone else

    i drove for miles and miles
    and wound up at your door
    i've had you so many times but somehow
    i want more

    i don't mind spending everyday
    out on your corner in the pouring rain
    look for the girl with the broken smile
    ask her if she wants to stay awhile
    and she will be loved
    she will be loved

    tap on my window knock on my door
    i want to make you feel beautiful
    i know i tend to get insecure
    it doesn't matter anymore

    it's not always rainbows and butterflies
    it's compromise that moves us along
    my heart is full and my door's always open
    you can come anytime you want

    i don't mind spending everyday
    out on your corner in the pouring rain
    look for the girl with the broken smile
    ask her if she wants to stay awhile
    and she will be loved
    she will be loved

    i know where you hide
    alone in your car
    know all of the things that make you who you are
    i know that goodbye means nothing at all
    comes back and begs me to catch her every time she falls


    [thanks to snaps13k@yahoo.com for these lyrics]

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    2005.05.19 13:34


    Rob Thomas
    Something To Be
    Release Date: 2005/5/3
    Record Label: WARNER MUSIC KOREA
    Genre: Alternative Rock
    Distribution : WARNER MUSIC

    Rob Thomas...^^b
    Matchbox Twenty의 보컬인건 아래 소개를 굳이 보지 않아도 누구나 다 알테고...
    그가 Santana의 곡 Smooth를 불렀다는 것도 이 곡을 들어본 사람이라면 알테고.....
    자세한건...아래 소개에.........


    Rob Thomas 소개 :
    Rob Thomas was the singer and principal songwriter for Matchbox Twenty, a Florida-based adult alternative combo that found success with a blend of '70s rock influences, slick hooks, and 1990s post-grunge crunch. The band broke through in 1996 with "Push" and never looked back, issuing single after single, scoring hits in various radio formats, and watching its debut LP, Yourself or Someone Like You, go platinum 12 times over in the U.S. Thomas himself won numerous songwriting awards as the scribe of such Matchbox hits as "Real World," "If You're Gone," "Bent," and "Mad Season," and parlayed that success into a career as a solo artist.

    Rob Thomas was born February 14, 1972, on an Army base in Landstuhl, Germany. His parents divorced, and the ex-Army brat spent most of his childhood in South Carolina and Florida. He dropped out of high school at 17, and bounced around the South singing in pickup rock bands before landing in Orlando in 1993. There he helped form Tabitha's Secret, and the group had some regional success before Thomas, bassist Brian Yale, and drummer Paul Doucette left to form Matchbox Twenty with guitarists Adam Gaynor and Kyle Cook. Their debut, Yourself or Someone Like You, had gone five times platinum by 1998, and it established them as superstars even if Thomas wasn't individually well known.
    That all changed with a song he co-wrote for the Carlos Santana album Supernatural. "Smooth" was ubiquitous in 1999, and it made Thomas a star. The track took home three Grammys including Song of the Year, and Thomas landed on People's "Most Beautiful People" list. He also married model Marisol Maldonado. Mad Season (2000) and More Than You Think You Are (2002) continued Matchbox Twenty's success, but after years of touring for both records, the bandmembers decided they needed a break, and Thomas used the hiatus to write and record his first solo album. When "Lonely No More" debuted in early 2005, its sleek and funky dance-pop sound was closer to Justin Timberlake than Matchbox, and it set up the April release of Something to Be. ~ Johnny Loftus, All Music Guide

    (Lyrics)

    Now it seems to me
    That you know just what to say
    Words are only words
    Can you show me something else
    Can you swear to me that you'll always be this way
    Show me how you feel
    More than ever baby
    [Chorus:]
    I don't wanna be lonely no more
    I don't wanna have to pay for this
    I don't want to know the lover at my door
    Is just another heartache on my list
    I don't wanna be angry no more
    You know I could never stand for this
    So when you tell me that you love me know for sure
    I don't want to be lonely anymore
    Now its hard for me with my heart still on the mend
    Open up to me, like you do your girlfriends
    And you sing to me and it's harmony
    Girl, what you do to me is everything
    Make me say anything; just to get you back again
    Why can we just try
    [Chorus:]
    I don't wanna be lonely no more
    I don't wanna have to pay for this
    I don't want to know the lover at my door
    Is just another heartache on my list
    I don't wanna be angry no more
    You know I could never stand for this
    So when you tell me that you love me know for sure
    I don't want to be lonely anymore
    What if I was good to you, what if you were good to me
    What if I could hold you till I feel you move inside of me
    What if it was paradise, what if we were symphonies
    What if I gave all my life to find some way to stand beside you
    [Chorus:]
    I don't wanna be lonely no more
    I don't wanna have to pay for this
    I don't want to know the lover at my door
    Is just another heartache on my list
    I don't wanna be angry no more
    You know I could never stand for this
    So when you tell me that you love me know for sure
    I don't want to be lonely anymore
    I don't wanna be lonely anymore [x3]

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